Today was, as you can guess from last night, a rather mellow
day. Or, at least, that’s how I intended it.
The plan was to get up at around 10, go on a guided tour of the Hospital
de Sant Pau at noon, devour baked goods, and perhaps go paddleboating. That did not happen.
To start things off, I slept through my alarm and was
awakened by the Feast of Sant Pau festivities of my neighbors. I was cursing their break of dawn enthusiasm
until I realized that it was actually 11:35 AM.
Undeterred, I threw on clothes and bolted out the door to make my 12 PM
tour. Two perfectly timed Metro rides
later, I arrived, victorious, on the stoop of the hospital at 12:02. I can’t make this stuff up. I strutted in, as much as a half-comatose
intrepid tourist can strut, only to discover that I was at the opposite corner
of the complex. A complex that spans 9
city blocks. But I also discovered that
there was another tour at 1 pm, so I took the chance to meander around the
various buildings and explore a bit before going to buy my ticket.
The tour was 10 euros and, in my opinion, terrible. While that little ticket opened some doors
(literally), the guide was terrible, almost no information was provided beyond
what was blatantly obvious, and due to restorations, only 3 of the pavilions
were open and the rest were covered in scaffolding and tarps.
I had read on the website that they adjusted the price according to what was available, to be fair, but I highly doubt that the normal tour costs 50 euros, and I definitely didn’t get more than 20% of what I deserved.
The reason I’m so bummed is because the Hospital de Sant Pau
is a marvel. It’s majestic, it’s
functionality and beauty melded together at their best. The architect who designed the hospital was
Domenech i Montaner, the same Moderniste architect responsible for La Palau deLa Musica Catalana, so you know he’s good.
The hospital is equally wonderful, given the photos that I’ve seen. If I was an early-20th century
hospital patient (not that I’d ever want to be), I would want to convalesce
there. Montaner uses the Moderniste
elements of nature, light, and color in a more subdued but equally beautiful
way. Rich greens decorate most of the
hospital, as do the circularized initials of the hospital’s financial backer,
Pau Gil (The font reminded me of the one used on the Park Guell mosaic signs). Natural light streams in through
tunnels. And OCD reigns supreme:
everything is symmetrical and every detail has been considered. The different pavilions are surrounded by
enough gardens that each patient could see some greenery from the windows. The ceramic roof tiles provided natural
insulation and temperature regulation.
Underground tunnels connected the various pavilions (the original plan
included 48), particularly to the surgical centers positioned in the middle of
the grouped pavilions. Each pavilion was
named after a saint, and the sex of the saint corresponded to the sex of the
patients inside, back when the patient population was divided by sex rather
than ailment/department. It’s quite a
piece of work, and if you can go after most of the renovations are done (many
are scheduled to be finished by 2014), you will marvel. Even more incredible? This was used as a fully functional hospital until 2009.
Interesting parts of the tour included getting to see the
underground tunnels and walk through one or two buildings, but everything has
been gutted and more than half the tour was spent in a little information building
looking at printed boards with pictures of other Moderniste architecture and
walking through the unrenovated tunnels, which had little to no decoration
beside a thrown-together exhibit of a few ceramics in need of work and some old
photographs.
Some pictures of the buildings:
Since I was terrible and forgot to put a Spotted in my last post, here are two:
Yesterday's Spotted: Casa Comalat. I pass this building, which is across the street from my tiny street, every day and marvel at its Moderniste architecture. I finally figured out what building it is: Casa Comalat. Built by Salvadore Valerili Pupurull from 1909-1911, this building is practically a tribute to Gaudi and incorporates many of his characteristic elements. It is a beautiful building with two facades. Atop the building sits a turret in the shape of a harlequin's hat, glazed in green ceramics.
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